Tag Archives: metals

The regional trends behind metal theft

(Last modified: August 6th, 2019)

New research conducted by metals4U uncovered some of the key trends and stats relating to the issue of metal theft across England and Wales.

The study showed that 16,552 incidents of metal theft were recorded across England and Wales in 2018, up 25% on the previous year’s figure.

Five sub-regions experienced increases of more than 100%, including Dorset, which has seen metal theft soar by a whopping 287% between 2017 and 2018.

As part of the campaign, metals4U examined the trends behind metal theft on a broader geographical level, while revealing how trends have reversed over the course of the last five years.

The introduction of the Scrap Metal Dealers Act in 2013 enforced a ban on cash sales and required dealers to obtain licences.

This helped bring about a decline in metal thefts, though this has been followed during the last two years by a worrying increase.

Between 2014 and 2015, every region in England saw incidents of metal theft decrease, as well as in Wales, which enjoyed a 45% drop.

That decline continued the following year, with the East of England, London and the South West all seeing drops of more than 50%.

But the pace of improvement slowed significantly between 2016 and 2017 as many of the regions saw their figures start to level out.

While Yorkshire and the Humber saw a drop of 41%, and London enjoyed a decrease of 59%, other regions, like the North East (-4%) and the East of England (-5%), saw the number of recorded incidents stabilise.

Fast-forward 12 months and several regions have seen overall increases for the first time in five years.

The North East (16%), Yorkshire and the Humber (51%), East Midlands (41%), West Midlands (36%), East of England (26%), South East (19%) and South West (69%) all saw rises.

Just three regions saw figures drop between 2017 and 2018 – North West (-3%), Wales (-5%) and London (-21%).

It is these trends that are the basis behind metals4U founder Paul McFadyen’s calls for the government to work harder to enforce the Scrap Metal Dealers Act that had been so effective following its launch.

He said: “The Scrap Metal Dealers Act introduced six years ago did have an immediate impact on tackling the issue, and saw figures plummet, but the recent spike is perhaps a reflection that its effectiveness is diminishing.

“Every year, metal theft causes misery to thousands of individuals, who see vital train services cancelled, and to business owners, whose livelihoods are being threatened by forced closures or expensive repair-work.

“So, we’re calling on the government to allocate more resources to tackling the issue on a regional level, and we’re encouraging members of the public to do their bit by following Network Rail’s advice and reporting all suspicious behaviour.”

 

 

 

 

Case Study: Arcadia at Glastonbury Festival

(Last modified: February 11th, 2019)

The British music festival season may now be over for this year but the 5th October sees the return of the annual Glastonbury ticket sale for next year’s event.

73688Last year over a million people applied for 150,000 tickets which sold out in record-breaking time. Dolly Parton, Kasabian and Metallica all took to the Pyramid Stage during the summer and it would be no surprise to see a greater demand for the event in 2015.

For those who haven’t witnessed Glastonbury Festival first-hand, one of the most spectacular aspects of the site is the area hosted by Arcadia. The Bristol-based company combine sculpture, lighting, special effects, music and pyrotechnics to create of the most extraordinary audio-visual experiences you will ever witness.

Created using welded metals from recycled military hardware, some of the world’s biggest DJ’s have played the spider-like stage and Metals4U spoke to directors Pip Rush and Bertie Cole regarding the process of sourcing the metals, the importance of recycling…and dancing policemen!

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According to Pip and Bert, the creative process is very much a “chicken and egg” scenario were the materials they come across can often steer a creative idea in an all-together different route. Alongside the duo are a team of other creatives ranging from artists, technicians and performers (some from different companies) to feed into the process and make it what it is.

Experts such as Sir Henry Hot provide the know-how for the fifty-foot flames using computer-controlled techniques…and cause the ground to rumble! BlinkinLAB create the most incredible UV video mapping content for the spider legs, whilst overall the collaboration between the different disciplines is seamless.

Arcadia use a variety of materials to create their stages and these are all recycled parts from jet engines, helicopter blades through to customs & excise scanners.

“We go on a ‘scrap tour’ once a year, which consists of a UK wide motorbike journey taking pictures of everything we find that looks useful. Then we send a lorry round to pick up the good bits at the end (hoping they haven’t reached the crusher yet). We use a bit of everything… plastics, wood and all sorts of metals”

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Material testing is a vital part of any engineering project and Arcadia are no different. Ensuring the materials are safe with structural integrity is essential and Bertie further explained the process:

“Arcadia work with structural engineers to assess the type of metal the structural components are made from and then use computer modelling to calculate the structural strength of the components assembled into complete structures.”

With upcoming events in Thailand and New Zealand, the crew at Arcadia are continuing to push boundaries and create new ideas for the future. When asked whether they had any future creations in the pipeline the duo stated: Always… the world is full of scrap and we’re starting to travel further afield.”

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Many well-known DJ’s have graced the Spider.

Mary Anne Hobbs, Fatboy Slim and Norman Jay MBE have all claimed that it is one of the best and most bizarre stages they have played, which hosts the finest Funktion One sound system in the world. Pip and Bert don’t have a favourite act but they have many stories to tell, with dancing policemen being a particular highlight.

“We had a couple of exited policemen climb on it for a dance once which was pretty funny…not sure if they still have a job though!”

The 2014 event saw Arcadia claim their very own area adjacent to The Park which attracted an estimated 70,000 people for the main acts. Alongside the Spider stage, Arcadia built on their creative recycling ethos with a number of interactive structures in the Mechanical Playground.

Developed by American sculpture and artist Christian Ristow, ‘The Hand of Man’ is a 26-foot long interactive piece which is capable of picking up old cars and crushing them. Operated by a cyborg-like hand glove, the creation is open to the public and is one of the many mind-blowing creations which take the evolving world of creative recycling to a whole new level.

To find more information about Arcadia head to: http://www.arcadiaspectacular.com/

More information about Glastonbury Festival can be found at: http://www.glastonburyfestivals.co.uk/

(Images supplied and used with kind permission from Arcadia. Many thanks to the team at Arcadia for their time and help)